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BOB & RAY (1948-1960)  Old Time Radio - CD - 274 mp3

BOB & RAY (1948-1960)  Old Time Radio - CD - 274 mp3

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onesmedia Store HOME | BOOKS | JEAN SHEPHERD | MOVIES | OLD TIME RADIO AUDIO CD | OLD TIME RADIO mp3 CD ROM | OLD TIME RADIO mp3 DVD ROM BOB & RAY (1948-1960) Old Time Radio - CD-ROM - 274 mp3 Bob Elliott (born 1923) and Ray Goulding (1922–1990) were an American comedy team whose career spanned five decades. Their format was typically to satirize the medium in which they were performing, such as conducting radio or television interviews, with off-the-wall dialogue presented in a generally deadpan style as though it were a serious interview. Elliott and Goulding began as disc jockeys in Boston with their own separate programmes on station WHDH-AM, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians. Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. This is why Elliott and Goulding became known as Bob and Ray. Ray Goulding said that Matinee with Bob and Ray sounded better than Matinob with Ray and Bob. They continued on the air for over four decades on the NBC, CBS, and Mutual networks, and on New York City stations WINS, WOR, and WHN. From 1973 to 1976 they were the afternoon drive hosts on WOR, doing a four-hour show. In their last incarnation, they were heard on National Public Radio, ending in 1987. Monitor publicity shot of Bob and Ray with Miss Monitor (Tedi Thurman). All three made extended stays at the NBC studios in order to do hourly live appearances throughout the weekend on Monitor, which could explain why they were grouped for this promotional photo. They were regulars on NBC's Monitor, often on stand-by to go on the air at short notice if the program's planned segments developed problems, and they were also heard in a surprising variety of formats and timeslots, from a 15-minute series in mid-afternoon to their hour-long show aired weeknights just before midnight in 1954-55. During that same period, they did an audience participation game show, Pick and Play with Bob and Ray, which was short-lived. It came at a time when network pages filled seats for radio-TV shows by giving tickets to anyone in the street, and on Pick and Play the two comics were occasionally booed by audience members unfamiliar with the Bob and Ray comedy style. Some of their radio episodes were released on recordings, and others were adapted into graphic story form for publication in Mad magazine. Their earlier shows were mostly ad-libbed, but later programs relied more heavily on scripts. While Bob and Ray wrote much of their material, their writers included Tom Koch, who scripted many of their best-known routines, and the pioneering radio humorist Raymond Knight. Bob Elliott later married Knight's widow. Another writer was Jack Beauvais, who had performed as a singer for WEEI in Boston during the 1930s and also worked for some of the big bands in the 1940s and 1950s. Characters Elliott and Goulding lent their voices to a variety of recurring characters and countless one-shots. Almost all of these characters had picturesque names, as in one sketch where Bob introduced Ray as one Maitland Q. Mottmorency, who then replied, "My name is John W. Norvis. I have terrible handwriting." Recurring characters played by Bob Elliott included: * Wally Ballou, an inept news reporter, man-on-the-street interviewer, "and winner of 16 diction awards," whose opening transmission almost invariably started late (as in "–lly Ballou here"). In one of his broadcasts, he was discovered to have started late on purpose and was chewed out by the location engineer (Ray) for making it look as though the mistake was his. * Snappy sportscaster Biff Burns ("This is Biff Burns saying this is Biff Burns saying goodnight") * Tex Blaisdell, a drawling cowboy singer who also did rope tricks on the radio * Arthur Sturdley, an Arthur Godfrey take-off * Johnny Braddock, another sportscaster, but with an obnoxious streak * Kent Lisle Birdley, a wheezing, stammering old-time radio announcer * Fred Falvy, "do-it-yourself" handyman In addition, any script calling for a child's voice would usually go to Elliott. Ray Goulding's roster of characters included: * Webley Webster, mumble-mouthed book reviewer and organ player, whose opinions of historical novels and cookbooks were usually dramatized as seafaring melodramas * Calvin Hoogevin (same voice as Webley), character in one of Bob and Ray's soap opera parodies * Steve Bosco, sportscaster (who signed off with "This is Steve Bosco rounding third, and being thrown out at home", parodying Joe Nuxhall's signature sign-off of "the old lefthander rounding third and heading for home") * Farm editor Dean Archer Armstead (his low, slurring delivery was unintelligible and punctuated by the sound of his spittle hitting a cuspidor) * Charles the Poet, who recited sappy verse (parodying the lugubrious Chicago late-night broadcaster Franklyn MacCormack and, to a lesser extent, the Ernie Kovacs character Percy Dovetonsils) but could never get through a whole example of his "bathetic" work without breaking down in laughter * Serial characters such as Matt Neffer, Boy Spot-Welder; failed actor Barry Campbell; crack-voiced cub reporter Arthur Schrank, and all female roles. While originally employing a falsetto, Goulding generally used the same flat voice for all of his women characters, of which perhaps the best-known was Mary Margaret McGoon (satirizing home-economics expert Mary Margaret McBride), who offered bizarre recipes for such entrees as "ginger ale salad" and "mock turkey." In 1949, Goulding, as Mary, recorded "I'd Like to Be a Cow in Switzerland", which soon became a novelty hit and is still occasionally played by the likes of Dr. Demento. Later, the character was known simply as Mary McGoon. On radio, Goulding also played the females in the various soap opera spoofs. Spoofs and parodies Spoofs of other radio programs were another staple, including the continuing soap operas "Mary Backstayge, Noble Wife" and "One Fella's Family", which spoofed Backstage Wife and One Man's Family respectively. "Mary Backstayge" was serialized for such a long period of time that it became better known to many listeners than the show it lampooned. Another soap opera spoof, "Garish Summit", (which Bob and Ray performed during their stint on National Public Radio in the 1980s) recounts the petty squabbles for power among the family members who own a lead mine. They also satirized Mr. Keen, Tracer of Lost Persons with the continuing parody, "Mr. Trace, Keener than Most Persons," which began with a simple plot that soon degenerated into total gibberish ("Mister Treat, Chaser of Lost Persons," "Thanks for the vote of treedle, Pete") and gunplay ("You... You've shot me!... I'm... dead."). Other continuing parodies (both generic and specific) included game shows ("The 64-Cent Question"), children's shows ("Mr. Science", "Tippy the Wonder Dog", "Matt Neffer, Boy Spot-Welding King of the World"), self-help seminars ("Dr. Joyce Dunstable"), and foreign intrigue ("Elmer W. Litzinger, Spy"). In 1959 Bob and Ray launched a successful network radio series for CBS, broadcast from New York. CBS's programming department frequently supplied scripts promoting CBS' dramatic and sports shows, but Bob and Ray never read these scripts entirely straight, and would often imitate the character voices heard on these shows. Gunsmoke and Yours Truly, Johnny Dollar were frequent targets, and Johnny Dollar inspired a full-fledged parody, "Ace Willoughby, International Detective." In each installment, Willoughby (Ray, doing a letter-perfect impersonation of Johnny Dollar star Bob Bailey) traveled around the globe in pursuit of crooks, but gave up when the crooks found him and kept beating him up. One particularly enduring routine cast Elliott as an expert on the Komodo dragon, and Goulding as the dense reporter whose questions trailed behind the information given.[1] Another featured Elliott as the spokesman for the Slow Talkers of America ("headquarters" in Glens Falls, New York), whose lengthy pauses between words increasingly frustrate Goulding. The pair performed both of these sketches many times. Their character known as "The Worst Person in the World" (a reference to New York magazine theatre critic John Simon, who gave their stage show a negative review) inspired the segment (and subsequent book) of the same name on MSNBC's Countdown with Keith Olbermann. Olbermann is a committed fan of Bob and Ray, acknowl
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